Variation 1
In this variation you need to work towards making a resonant sound in the lower… — Login to View —
In this variation you need to work towards making a resonant sound in the lower… — Login to View —
This variation requires you to play some notes on the string and some off the… — Login to View —
The ability to play repeated up or down bows at the heel of the bow… — Login to View —
Ševčík marks this variation’s tempo as 1/4 note = 132, to be played at the… — Login to View —
This beautiful variation uses a siciliano rhythm and requires musical thought and planning. Make sure… — Login to View —
Variation 12 is an excellent exercise for developing control of the bow in the air… — Login to View —
Ševčík indicates that we can play this variation either loudly at the frog or softly… — Login to View —
Practice this variation at first with a slurred bowing on the string, to work on… — Login to View —
Ševčík in his attention to detail often marks clearly when the bow is to be… — Login to View —
This variation is an excellent challenge, testing rhythmic precision and clarity of articulation. The off-beat… — Login to View —
This variation requires a fluid control of ricochet (marked jeté by Ševčík) and up-bow spiccato.… — Login to View —