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Var10 – Var19

Performances of Variations 10 to 19 with notes and analysis by Fintan Murphy

Variation 10

    This variation is one of many that develop your control while playing mixed bowings. Here… — Login to View —

    Variation 11

      For variation 11 read Ševčík’s explanation of abbreviations markings, in particular about how the comma… — Login to View —

      Variation 12

        Variation 12 is an excellent exercise for developing control of the bow in the air… — Login to View —

        Variation 13

          Ševčík indicates that we can play this variation either loudly at the frog or softly… — Login to View —

          Variation 14

            Practice this variation at first with a slurred bowing on the string, to work on… — Login to View —

            Variation 15

              This elegant variation needs musical thought and offers opportunities to take time and let the… — Login to View —

              Variation 16

                This variation uses sautillé with four bows per note, which allows time to make sure… — Login to View —

                Variation 17

                  In variation 17 the sautillé is more complex than in variation 16. There are only… — Login to View —

                  Variation 18

                    This variation requires the bow to be lifted after the up bow, so when the… — Login to View —

                    Variation 19

                      Ševčík in his attention to detail often marks clearly when the bow is to be… — Login to View —